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Lost Week – The Top 10 Moments In Lost


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Earlier this week, I posted my list of the best scenes from Lost.

Today, it’s time for my favourite little moments from the show – by which, I mean the brief little incidents, or big action scenes or snippets of dialogue that didn’t necessarily add anything to the ongoing story (though many of them did) but added to the fun and/or the wow factor of the show.

And so, in no particular order, here are the ten best Lost moments:

First up, Dr Leslie Arzt – a cautionary tale. Leslie was one of the more entertaining of the supporting cast of B-list survivors we met. After complaining about not being included in any of the missions carried out by the main cast of survivors, Jack, Kate and co take him along on their expedition to get some dynamite from shipwrecked 19th century sailing ship The Black Rock:

The following scene isn’t really part of my list but was a nice little season six nod back to Leslie’s fate in season one:

Talking of things exploding, there had been much discussion during season two about whether keying those numbers into the compter every 108 minutes did indeed prevent a world-threatening disaster or whether it was just some sort of Dharma Initiative psychological experiment. In the season two finale, we found out:

And here is what happened after Desmond turned that key:

Next Ben at his most vulnerable and wounded:

And here’s Ben at his coldest – specifically,  his response to Locke after killing Keamy, the man who shot his daughter, despite the fact that Keamy had planted a bomb on the freighter, where many of the plane crash survivors had been taken, and rigged it to detonate if his heart stops:

Talking of Ben’s dark side, here’s the moment he sided with The Others and took revenge on his drunken dad and the Dharma Initiative for making his childhood miserable:

That’s enough death and destruction – time for some lurve from the two couples who have, in their different ways, given Lost its heart.

Here’s the heartwarming moment when Rose got her reward for keeping faith that her husband Bernard was still alive somewhere, even though he was not one of the survivors on the beach after the plane crash:

This reunion tops even that:

Next, the island vanishes:

This was Locke’s defining moment in the early years:

And finally, I’m a fan of Glasgow Celtic FC, so these two Desmond moments were just priceless:

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Lost Week: The Top 10 Scenes From Lost


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There have been so many wonderful scenes in Lost over the last six years, it’s tough to pick just 10.

But here goes anyway. This is all from memory – if I did it again tomorrow there might be a few differences but, overall, I think this is a pretty strong representation of the best of Lost. If you think I missed any out, be sure to let me know your favourites in the comments.

The only rule I decided to impose when choosing my list was that the entries had to be proper, full-length scenes that served some sort of purpose in terms of plot or character development. In other words none of the fun little throw-away jokes or brief action-orientated set-pieces – we’ll do that list later in the week.

It goes without saying that the following list contains spoilers if you have not watched up to at least the end of season 5.

So, in descending order:

10. Michael Shoots Anna-Lucia and Libby. We’d seen at least three major characters bite the dust by the time this happened in season two but the way Ana Lucia and Libby died, so sudden and unexpected and at the hands of a friend, means it is still the most shocking death scene in Lost history (though the murder of Ben’s daughter Alex comes close).

9. Ben Saves Locke. Ben Kills Locke. Despairing at his failure to convince the Oceanic Six to return to the island during season four, John Locke decides to end it all. But Ben’s there to save the day. That’s lucky… or not!

8. Destiny Catches Up With Charlie. Despite Desmond’s best attempts to change fate, Charlie was destined to die. But before it happened, in the final episoe of season three, he managed to perform one last heroic deed (though, in saying that, I’ve yet to hear a convincing argument as to why he couldn’t have just shut the door from the other side…):

7. Jack’s Eye and The Crash Site. The opening scene of the very first episode, which hooked us all. Still looks awesome, six years later.

6. Juliet and the Bomb: This one comes in two parts. First, the final scene of season five. Jack believes that detonating an atomic bomb inside one of the island’s weird magnetic pockets in 1977 will return them to their own time and allow everyone to live island-free lives. He drops the bomb down the hole but nothing happens. Then…:

What happened next? We found out Juliet’s fate at the start of season six:

5. Desmond’s Long-Distance Phone Call To Penny. In what may be Lost‘s greatest episode (The Constant: season four, episode five) Desmond is bouncing uncontrollably through time. With the help of Daniel Faraday, he works out that his lost love Penny is his “constant”, who can anchor him to the correct time zone. But for her to do so, he needs to call her from the island in the present, something he can only do if he can persuade her eight years in the past to give him her phone number:

4. Ben Wants Milk. Back in season two, when we didn’t really know whether Ben really was an Other or simple a balloonist who’d been blown off course, this scene provided the first real hint of the darkness within. It also shows exactly why the producers decided that Michael Emerson needed to be added to the main cast instead of their original plan, which was to have him appear for just a few episodes. It comes after “Henry Gale”, as Ben claimed to be called, drew a map showing the location of the remains of his balloon  and Sayid, Ana Lucia and Charlie had set off to find it.

3. Back To The Future With Miles and Hurley. A very funny scene from season five, in which an increasingly exasperated Miles tries to explain the finer points of time travel theory to (the viewers and) a bewildered Hurley… who nonetheless manages to get the final word.

2. Introducing Desmond. The opening scenes of seasons two and three (you can find the latter here) complement each other beautifully. The season two opening gets the nod for this list ahead of the season three intro because it came first, it finally let us see what was inside that hatch they had been teasing us with for most of season one and, of course, it introduced us to Desmond, who would become arguably the show’s most popular character and certainly the most important to solving the riddle of the island (and, I suspect, who will be the key to the story’s resolution). Looking back at this scene, it’s still looks (and sounds) great – but think back to how you felt watching it when it first aired, before you even knew the structure was on the island, before you knew who Desmond was and before you knew what was the deal with that beeping computer.

1. Hoffs/Drawlar: The moment, at the end of season three, that changed everything we thought we knew about Lost

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TV Newsround – Penny Spent? Kate Going? The Next Gen Boldly Returning? And More…


Is Lost‘s Penny doomed? The Choob has been worried about Penelope Widmore, girlfriend of Desmond Hume – the world’s favourite Scottish, Glasgow Celtic-supporting, time-travelling island-hopper – since nasty, vengeful Benjamin Linus said he was off to attend to some unfinished business, then was next seen covered in cuts and bruises next to some boats at a marina.

Further fuelling my fears, was the word that actress Sonya Walger, right, who plays Penny, had signed up for the lead role in the pilot of new sci-fi drama Flash Forward (lots more about that show here).

However, Entertainment Weekly’s Michael Ausiello offers some comfort, as he reports that Lost insiders say they are not done with Penny yet and that Walger will balance work on the two shows (they are both on the ABC network), should Flash Forward progress to a full series.

Of course, on Lost, the fact that a character will appear in future episodes does not necessarily mean they will be alive…

Talking of Lost, the rumour that has been spreading around “teh internets” over the last few days that Kate is being killed off (fuelled by a claim that actress Evangeline Lilly has been auditioning for new shows) has been flatly denied by the producers of Lost, network ABC and Lilly’s own spokespeople, all of whom insist Kate will be on the island until the show ends next year.

All the original main cast of Star Trek: The Next Generation have signed up for a reunion – on a special episode of animated sitcom Family Guy.

Patrick Stewart, Levar Burton, Gates McFadden, Michael Dorn, Wil Wheaton, Denise Crosby, Marina Sirtis, Brent Spiner and Jonathan Frakes will appear in an episode called Not All Dogs Go To Heaven, in which the Griffin clan visit the annual Quahog Star Trek convention.

ITV’s poorly-received Saturday-night prime-time fantasy drama Demons is facing the axe after a single season, according to tabloid reports. Star Philip Glenister (best known for playing Gene Hunt in the original UK version of Life On Mars and its sequel Ashes To Ashes) has reportedly quit his role as vampire hunter Rupert Galvin. This, along with rapidly-declining ratings throughout the first season’s run, seem likely to signal its demise.

What credit crunch? NBC is said to be charging advertisers up to $500,000 for a 30-second commercial slot during the two-hour last-ever episode of ER, which airs in the US on April 2.  Such advertising slots normally cost around $135,000. George Clooney returns in the finale for one last appearance as Dr Doug Ross, left, along with a few of the show’s other former stars.

With the second season of The CW’s Reaper starting on Tuesday (March 3) Sci Fi Wire has a video interview with star Bret Harrison revealing what lies in store for the Devil’s errand boy this year.

As season seven of 24 approaches the half-way mark on Fox, it has been announced that executive producer John Cassar won’t be back for season eight (which may well be the show’s final season), after failing to agree a new contract deal. He had been with the series for six years.

His next project will be as director of CBS pilot Washington Field, a crime drama about a team of elite agents operating out of the FBI’s Washington field office.

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