Tag Archives: Sonya Walger

TV Newsround – Penny Spent? Kate Going? The Next Gen Boldly Returning? And More…


Is Lost‘s Penny doomed? The Choob has been worried about Penelope Widmore, girlfriend of Desmond Hume – the world’s favourite Scottish, Glasgow Celtic-supporting, time-travelling island-hopper – since nasty, vengeful Benjamin Linus said he was off to attend to some unfinished business, then was next seen covered in cuts and bruises next to some boats at a marina.

Further fuelling my fears, was the word that actress Sonya Walger, right, who plays Penny, had signed up for the lead role in the pilot of new sci-fi drama Flash Forward (lots more about that show here).

However, Entertainment Weekly’s Michael Ausiello offers some comfort, as he reports that Lost insiders say they are not done with Penny yet and that Walger will balance work on the two shows (they are both on the ABC network), should Flash Forward progress to a full series.

Of course, on Lost, the fact that a character will appear in future episodes does not necessarily mean they will be alive…

Talking of Lost, the rumour that has been spreading around “teh internets” over the last few days that Kate is being killed off (fuelled by a claim that actress Evangeline Lilly has been auditioning for new shows) has been flatly denied by the producers of Lost, network ABC and Lilly’s own spokespeople, all of whom insist Kate will be on the island until the show ends next year.

All the original main cast of Star Trek: The Next Generation have signed up for a reunion – on a special episode of animated sitcom Family Guy.

Patrick Stewart, Levar Burton, Gates McFadden, Michael Dorn, Wil Wheaton, Denise Crosby, Marina Sirtis, Brent Spiner and Jonathan Frakes will appear in an episode called Not All Dogs Go To Heaven, in which the Griffin clan visit the annual Quahog Star Trek convention.

ITV’s poorly-received Saturday-night prime-time fantasy drama Demons is facing the axe after a single season, according to tabloid reports. Star Philip Glenister (best known for playing Gene Hunt in the original UK version of Life On Mars and its sequel Ashes To Ashes) has reportedly quit his role as vampire hunter Rupert Galvin. This, along with rapidly-declining ratings throughout the first season’s run, seem likely to signal its demise.

What credit crunch? NBC is said to be charging advertisers up to $500,000 for a 30-second commercial slot during the two-hour last-ever episode of ER, which airs in the US on April 2.  Such advertising slots normally cost around $135,000. George Clooney returns in the finale for one last appearance as Dr Doug Ross, left, along with a few of the show’s other former stars.

With the second season of The CW’s Reaper starting on Tuesday (March 3) Sci Fi Wire has a video interview with star Bret Harrison revealing what lies in store for the Devil’s errand boy this year.

As season seven of 24 approaches the half-way mark on Fox, it has been announced that executive producer John Cassar won’t be back for season eight (which may well be the show’s final season), after failing to agree a new contract deal. He had been with the series for six years.

His next project will be as director of CBS pilot Washington Field, a crime drama about a team of elite agents operating out of the FBI’s Washington field office.

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Flash Forward – Brannon Braga’s Vision For Future Of New Show


Sci-Fi Wire reports that former Star Trek executive producer Brannon Braga has been revealing more details about his upcoming sci-fi pilot for ABC, Flash Forward, which the network hope could be their new Lost.

The story begins with a strange event during which everyone on Earth falls asleep and has a 2 minute 17 second glimpse of their own futures, five months down the line. The show follows the effect the premonition has on various people.

At the premiere party for season 7 of 24 this week (on which he is a co-executive producer), Braga revealed that Flash Forward will reset itself each season, starting each new run with a new set of visions and ending when they come true.

He said: “Yeah, the structure’s not dissimilar from 24 and we want to reset the show at the end of each year, where we’ll do another flash forward at the end of the first season, and then potentially another flash forward at the end of the second season, each one kind of resetting the core characters’ visions of the future and introducing new characters.

“One of the cool things about the show is you have 5 billion potential storylines. And we plan to tell the stories of people all over the world. Obviously they’ll be focused on mainly people here in L.A., but we’re going to go all over the place.”

Braga added that the central theme of the show is free will vs. fate: “Thematically that’s what the show is about, for sure. Yeah, and seeing how these people’s visions come true or not come true or come true because they tried to not make it come true. Some people want it to come true. Some people don’t want it to come true. It’s a fascinating concept. We’re very excited about it.”

The pilot starts shooting next month, with a cast including Joseph Fiennes, Sonya Walger, John Cho, Christine Woods, Jack Davenport and Courtney B. Vance.

 The show was developed by Braga, producer/writer/director David Goyerand Goyer’s wife and producing partner, Jessika Borsiczky Goyer. David Goyer will direct the pilot.

Goyer and Braga’s last TV project together was the much-missed 2005 alien invasion sci-fi drama Threshold, which failed to make it to the end of its first season.

Asked how the shows compare, Braga said: “Just based on what David and I have been talking about, this’ll be more grounded. Threshold, I think, had a slightly more heightened reality to it. Our aim with this show is to make it more—to say believablewould belittle shows like Threshold or Star Trek—but just more relatable and more realistic. There’s one big science fiction conceit: these flash-forwards. That’s all there is, and so we want the show to have a naturalistic vibe to it.”

The show also has a long-term vision, Braga added: “It’s so early in the game, [but] we have a lot planned. We have a lot we want to do. Before we sold the show, we sat down, and we were like, ‘This is a big idea. We want to have as much as we can planned for the duration of the show in case it does go. We don’t want to be winging it.'”

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